It’s that kind of versatility that makes the line a favorite for me. Worth noting-I use an FD on an old Bolex 16mm camera, and the images are simply incredible. In fact, I loved it so much that I immediately bought another one (plus a 50mm to go with it) after someone broke into my car and stole every piece of gear I owned. Summer vibes that modern lenses just couldn’t quite deliver. Included are all of the following 15 (Helios/Zuiko) lenses: Zuiko 18mm f3.5, Zuiko 24mm f2.0, Helios, 28mm f2.8 (Japan), Zodiak 30mm f3.5 (fisheye), Zuiko 35mm f2. I was shooting personal work, and the FD always gave me the look I was going for-soft, dreamy, warm. Moving on.)įor most of last summer, I had a 24mm FD attached to a Metabones speedbooster on my Blackmagic Pocket Cinema Camera 4K. (Also, I know I just said that the lenses on this list are best suited for something like the EOS line, but Canon FDs are actually better for Sony E-mounts and micro four-thirds cameras. They’re cheap, they’re fun to use, and they produce a great-looking image. Canon FD LineĬanon FD lenses are universally beloved and for good reason. Instead, think BMPCC6K, Canon EOS R, or Lumix S1H.) 1. (FYI: These lenses are not for your ALEXA-level cameras. Here’s my list of the best vintage lenses you can add to your kit without breaking the bank. What you will never end up with is the sharpest possible image. You might end up with a very soft image and some whoa-how-did-that-happen bokeh. You might end up with some tiny light leaks caused by gaps between components. When working with vintage glass, it’s not enough to expect imperfections, you’ve got to embrace them. I got an appreciation for the scratches, dust, and bumps that make every vintage lens-and every shot captured through them-unique. Something that opened me up artistically and encouraged experimentation. You know the look I’m talking about, right? I wanted those soft, warm, wide shots that fill so many of our favorite movies from the late ’90s and early 2000s. I wanted the image to immediately look like something shot by Robert Elswit or the older work of Janusz Kaminski. When I first started using old lenses, I was hoping they would work as a shortcut to a “film” look. Im also impressed that you can set AFMA +2 at 28mm after calibration with Reikan FoCal Plus. Use this affordable vintage glass to give your commercial, editorial, and personal projects a warm, timeless look. All of the copies at Lens Rentals have performed similarly.
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